If a work lacks a collective title and all or some of the separately titled parts are of equal importance, make a separate record for those parts considered important and name the other parts in a note.  Each record should refer to the other work in a note.  See also 7B31.

245 00 $a Madame Butterfly.

501 ## $a On cassette with: Einstein’s children.

245 00 $a Einstein's children.

501 ## $a On cassette with: Madame Butterfly.

245 04 $a The fable of the honeymoon that tried to come back.

500 ## $a On one reel with: The fable of all that triangle stuff. $5 DLC (Use institution’s local code.)

245 04 $a The fable of all that triangle stuff.

500 ## $a On one reel with: The fable of the honeymoon that tried to come back. $5 DLC (Use institution’s local code.)

245 04 $a The crowd / $c Metro-Goldwyn-Mayer ; director, King Vidor ; screenplay by King Vidor and John V.A. Weaver.

500 ## $a Two videodiscs in one jacket. On sides one and two: The crowd. On sides three and four: The wind.

245 04 $a The wind / $c Metro-Goldwyn-Mayer ; director, Victor Seastrom ; scenario by Frances Marion.

500 ## $a Two videodiscs in one jacket. On sides one and two: The crowd. On sides three and four: The wind.

500 ## $a Contains interviews with David Gill and Kevin Brownlow.

If a work with two or more equally important parts is considered a version, see Chapter 2.  If a supplied title is needed for a work with two or more equally important parts, see 1F2.2.

Optionally, if the work contains a limited number of parts, archives may choose to record the titles of the individually titled parts in the title area in the order in which they appear on the work.  Separate the titles of the parts by semicolons if the parts are all by the same company or companies and/or person, even if the titles are linked by a connecting word or phrase.

245 00 $a Infancy ; $b Childhood / $c [written by] J. Thornton Wilder.

If the individual parts are by different persons or bodies, or in case of doubt, follow the title of each part by its other title information and statement of responsibility.  See AACR2 1.1G3 and Library of Congress Rule Interpretation 1.1G3.  Each part is separated by a period and two spaces.  Title added entries should be made for all but the first title.  For placement of credits, see 1G1.

245 04 $a The Truman story / $c Greenwood Productions ; director, Don Smith.  They're in the army now / Creative Associates, Inc. ; director, John Jones.

See also:

1B3.  Works without a collective title

1B.  Title proper

1.  Title and Statement of Responsibility Area